Much Ado About Everything
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It's on ABC. Will someone make sure that BrianFrons and all of his head writers either watch every episode or attend a seminar with Messrs Olin and Baitz, who happens to be gay and learn how to write and produce good serial drama?
Back to Ken Olin's gem of a show. The pilot reunited Tom Skerrit and Sally Field as husband and wife with Skerrit's character passing away by the end of the hour. This is a flawed caring family picking up the pieces following death and also attempting to resolve the conflicts that preceded it and those intensified following it.
An integral part of this family is Kevin Walker, a somewhat favoured son, brother, family lawyer and homosexual into whose life Scotty Wandell walks.
Much ado should be made about this show. It ignores nothing about the complexities of life for the upper white middle class. Yes, it is a well to do family with a family business -- an element common to many of its predecessors in the genre. However, this is no Dynasty and sure as hell ain't no Melrose Place.
Kevin may come from a comfortable background, but his telepersona is tangible. All his parts work. Perhaps Mr. Olin, who, by the way played a priest on Falcon Crest must have learned from the big deal made about Thirtysomething's man to man affection which was announced in the press before it didn't quite happen on the show and talked even more afterwards when sponsors and affiliates threatened to pull the plug.
The good news was that no one was warned about Kevin and Scotty doing what everybody else on the show does, i.e. being themselves with all their parts working. Thank you, Mr. Olin who has been responsible for very good televiewing on more than one occasion. Your gay brothers salute you, Mr. Baitz, who seem to be a creative force to be reckoned with. Even Wikipedia seems to know that.
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Comments
* By John Leonard
Despite cast changes, rewrites, and producer musical chairs, this brainy soap checks in with promise. Can any single California family in the food-distribution business contain patriarch Tom Skerritt, matriarch Sally Field, uncle Ron Rifkin, and siblings Rachel Griffiths, Balthazar Getty, and Calista Flockhart? Especially if Tom’s having an affair, Ron is fiddling with the books, bleeding-heart Sally won’t talk to right-wing radio host Calista, and there’s a dead body in the swimming pool? One of the executive producers here is playwright Jon Robin Baitz, and TV is smarter just because he’s watching it, let alone making it.