Tuesday Talent: Tom Degnan
By Howard Shapiro The Philadelphia Inquirer Here’s something that might happen with a play, but not with a movie: You go to see it again and because of a different interpretation, or the way an ensemble clicks, or maybe a fresh staging that literally moves the play in a new direction, it’s as if you’ve never seen it before. The production you’re watching has given it a new and different life. That’s what’s happening at the Pennsylvania Shakespeare Festival, where Tennessee Williams’ Cat on a Hot Tin Roof , an American classic, is playing out as if our besotted, bewitched and brilliant playwright of the last century had written it last night. I’ve seen strident Cats and dark Cats and even a pensive one. But I’ve never been swept by a Cat as blistering, fast-moving and, simply, moving as the production Thomas Ouellette has conjured — and with the same cast that bounds on and off the stage in the flighty Much Ado About Nothing, Shakespeare’s trickster comedy that alternates at the festiva...